I credit our collaboration responsible for getting me an Oscar, which is for sure one of the greatest acknowledgments of my career, and I am forever grateful for the opportunity to compose music for his film. He is courageous and has an enormous personality. I am very fond of my collaboration with him and the relationship we have developed during the time we have spent together. I have given a mandate to my lawyer in Italy to take civil and penal action. I have never expressed any negative statements about the Academy, Quentin, or his films - and certainly do not consider his films garbage. It has come to my attention that Playboy Germany has come out with an article in which I have stated extremely negative comments about Tarantino and his films, and the Academy. Update: In a new statement, Ennio Morricone is strongly denying that he said such insults about Tarantino. Taking bits and pieces from others to form something unique takes an enormous amount of skill there’s more than enough evidence of that from the number of films that have tried, and failed miserably, to imitate Tarantino’s blood-spattered, sweary style (looking at you, The Boondock Saints ).Īs Pablo Picasso once said, “good artists copy great artists steal.” While I have no trouble believing that Tarantino is horrendous and egotistical to work with, the “unoriginality” claim doesn’t hold much weight Tarantino does indeed pay direct homage to other films, sometimes even stealing entire scenes, but he does it in an incredibly distinctive way - there’s no mistaking a Quentin Tarantino film for the work of another filmmaker. So not comparable to real Hollywood greats like John Huston, Alfred Hitchcock or Billy Wilder. He just steals from others and puts it together again. Sadly, it seems unlikely, seeing as Morricone's name doesn't appear on the film's IMDb page, and the fact that the composer doesn’t just have a problem with Tarantino’s infamously demanding attitud e, but seems to hold contempt for the director’s filmography, stating: It’s not clear if Morricone is still composing the soundtrack to Once Upon A Time in Hollywood, Tarantino’s reimagining of the story of the brutal Manson family murders. He has no idea,” said Morricone, adding: “He calls up out of the blue and wants a complete score in just a few days. He talks without thinking, he does everything at the last minute.

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